Geert Lovink's Position Paper

Net Activism in the Late 2.0 Era
 
"The Master's Tools Will Never Dismantle the Master's House." Audre 
Lorde

  Talkin' about Web 2.0 it is no longer interesting stating the 
obvious. Yes, strong organization forms, firmly rooted in real life, 
overdetermine weak online commitments. We are bored with the 
slacktivism of the millions. Following market predictions we will soon 
have to design the interfaces where locality and virtuality 
intertwingle (or else others will do it for us). The secret of making 
society is allocated in the aesthetics of radical osmosis. As Malcolm 
Gladwell already expressed it, the revolution will not twitterized. 
Instead, we will to take up our autonomous responsibility and 
sculpture the Social ourselves. The inner voice whispers: we ought not 
make ourselves too dependent on the biases of some Harvard geeks to 
define how revolutionary dynamics can come into being--or are 
subsumed, as Facebook exemplifies. In the age of networked digital 
exchanges the social is even more fluid than it ever was. No longer 
God-given, the protocols of human collaboration are up for grabs. This 
task is no longer exclusively in the hands of the Church, the village, 
the clan--or the (Leninist) Party for that matter. Show your Social 
Design!

This brings the discussion to the question which values exactly should 
be translated, and transformed, into software. We are not all 
'friends'. This is another truism of the outgoing Web 2.0 era. But 
then how would be describe contemporary relationships? It should be 
possible to go beyond the friend-foe distinction. Let's dream up 
unlikely relations, spontaneous encounters (and how to solidify them) 
and technologies that actively derail everyday routines. Smart mobs 
were way too innocent. 4chan has radical elements in its very concept 
but gets so easily stuck in old school voyeurism. What is missing is 
the 'sweet stranger' element, beyond the object strategies that Jean 
Baudrillard described and its touching opposite humanist values. 
What's out there are random encounters with a cause. Networks are not 
just replicates of old ties. They bear the potential of something 
other, of becoming society. Let's leave the remediation age behind us 
and start to fool around with dangerous social design.

Cyber cascades a la Avaaz.org create blimps in mass awareness but fail 
to raise resilience. The trouble with current media activist 
strategies in the age of social networking is not so much their 
ability to scale up, which they seem to manage quite well, but the 
absence of a painful set back in the encounter with the Powers to Be. 
Resistance means struggle with the risk of defeat as a real option--
and this sounds profoundly uncool. There is nothing sexy about saying 
no. Protesting is party time and provides jobs for event managers. PR 
experts of the contemporary reformist movements, with Tony Blair as 
their guru, claim the moral high ground in their insistence to remain 
positive. Militant fighters that defend rights, attack the system and 
fight back are portrayed as 20th century losers. In the past 
hacktivist strategies have embodied certain elements of such radical 
negativity, with tactical media as its gay and playful counterpart. It
is in this light of the refusal that we could go back to the 1950s 
literature on the user as rebel (Camus) and outsider (Ward). The 
protesting user is neither the perfect e-citizen nor a pathological, 
brain damaged while multi-tasking loner. Games provide us with a 
plentitude of subcultural figures and identities. Yet, going post-pop, 
how would we define the aesthetics of online protest?